25 April 2024

Great injustices are committed upon this land

Thursday music corner: British dub poet and activist Linton Kwesi Johnson (b. Jamaica, 1952) joined his mother in Brixton in 1963 and during his school and university years became increasingly concerned about racism in British society and politics. Graduating with a sociology degree from Goldsmiths College in 1973, Johnson began writing verse targeting the goal of black liberation. He also wrote for music publications in the 1970s including the New Musical Express, Melody Maker and Black Music. 

Johnson released his first album, Dread Beat an' Blood, in 1978, and has released over a dozen albums to date, plus several compilation albums. Reggae Fi' Peach appears on his 1980 album Bass Culture, and honours the memory of New Zealand-born teacher Blair Peach, who died in Southall on 24 April 1979 during an anti-fascist rally against the British National Front. The balance of evidence suggests that the police Special Patrol Group unit was responsible for Peach's death, and also obstructed official investigations to protect the killer. An official report into Peach's death was not made public until 2010, 31 years after the incident.

Linton Kwesi Johnson - Reggae Fi' Peach (live at the BBC, 03.10.81)

See also:
Music: Linton Kwesi Johnson - Peach Dub (1980)
Music: Linton Kwesi Johnson - Di Great Insohreckshan (1983)
Music: The Upsetters - Dollar In The Teeth (1969)

24 April 2024

The golden age of American long-distance high-speed diesel trains

[In 1935] the Union Pacific train was immediately put into service as The City of Portland between Chicago and Portland, Oregon, and the Milwaukee Road soon launched the Twin Cities Hiawatha, running between the same two cities as the Burlington's Twin Cities Zephyr but powered by new steam locomotives designed to run at 100 mph. Diesel, though, was now the fashion and within a couple of years there were more than a dozen of these new diesel services, trying to outdo each other with the extra facilities and comfort they provided. Pullman joined in the craze by providing streamlined lightweight cars for several of these trains, but it was the decision of the Atchison, Topeka & Santa Fe Railroad to create an all-Pullman service that resulted in the service which could, justifiably, lay claim to being the most luxurious train in the world, pace the Orient Express. This was the Super Chief, which started running between Chicago and Los Angeles in 1936 in just under forty hours, a timetable that saved a full half-day on its steam predecessor, the Santa Fe's old Chief, a prestigious steam train introduced a decade before. The Super Chief became the train of choice for movie stars and studio moguls for their trips between the coasts and undoubtedly set a new standard of comfort for its passengers: 'Designed within by a group of eminent architects and stylists, its restaurant, observation lounge, bar and wide choice of overnight accommodation - every room richly panelled in wood veneers from the four quarters of the world were very reasonable replicas of the hotel accommodation to which the Hollywood haut monde who frequented it were accustomed.

These new streamliner services invariably offered all the accoutrements of the trains of the previous generation, but with modern extras such as air conditioning and electric razor points. The more spacious offered lounges, cocktail bars and office facilities, and all provided meals that today would earn them a Michelin star or two, elegantly hosted by a dinner-jacketed maître d', as well as offering various sleeping car options. There was, too, a great emphasis on making the trip itself into a pleasure, rather than merely a trial to be endured, with a great emphasis on the smoke-free views afforded by the much larger windows.

The result of this feverish activity was that, for a short period in the late 1930s, the ten fastest regular train services in the world were all American streamliners. It was not so much the speed or the diesel- powered engines that caught the public's imagination, but rather their streamlining. They were, quite literally, beautiful behemoths, a source of pride and modernity in an era of economic struggle and austerity. The size and power of the elegant diesels seemed to epitomize American values, and gave people something to celebrate.

- Christian Wolmar, The Great Railway Revolution: The Epic Story of the American Railroad, London, 2012, p.330-1.

See also:
BlogThe Sunday morning train to Verona, 15 June 2015
Blog: The break of gauge, 14 January 2014 
Blog: Take the 'A' train, 10 October 2009
Blog: You can get to Taumarunui going north or south, 24 May 2009

21 April 2024

18 April 2024

Reach across the cold divider, I will warm you

Thursday music corner: Marlon Williams is a New Zealand singer-songwriter with an increasing side-line in acting roles. He tours with backing band The Yarra Benders, and collaborates with fellow Lyttelton resident Delaney Davidson. Having met actor/director Bradley Cooper in Los Angeles, Williams was cast in a small role in Cooper's 2018 hit film remake A Star Is Born. He has also appeared in the 2019 Australian film The True History of the Kelly Gang, Alice Englert's 2023 film Bad Behaviour, and the New Zealand-filmed TV series Sweet Tooth.

Williams has released three solo studio albums, plus four other albums in collaboration with other artists, three of which were with Delaney Davidson. River Rival appeared on Williams' most recent album, My Boy (2022). It was the third single released from the album, after My Boy and Thinking Of Nina.

Marlon Williams - River Rival (2022)


See also:
Music: Marlon Williams & Delaney Davidson - Bloodletter (2012)
Music: Marlon Williams & Brandi Carlile - Oh, Pretty Woman (in A Star Is Born, 2018)
Music: Marlon Williams & Aldous Harding - Nobody Gets What They Want Anymore (2018)

11 April 2024

But one little spoon of your precious love is good enough for me

Thursday music corner: Howlin' Wolf (aka Chester Arthur Burnett, 1910-76) was a Mississippi-born blues singer and guitarist who attained considerable fame as a progenitor of electric Chicago blues, and who was revered by the British blues exponents like Cream, the Rolling Stones and Steve Winwood. Howlin' Wolf released 14 studio albums during his lifetime, and scored four US R&B chart top ten singles: How Many More Years and Moanin' At Midnight (both 1951) and Smokestack Lightning and I Asked For Water (both 1956). 

The Willie Dixon-penned Spoonful was a 1960 Howlin' Wolf single on the Chess label. It features on the Rolling Stone '500 Greatest Songs of All Time' list, and has been inducted into the Blues Foundation's 'Hall of Fame'. 

Howlin' Wolf - Spoonful (1960)


See also:
Music: Howlin' Wolf - Killing Floor (re-recorded London 1971 with Clapton, Winwood, Wyman & Watts)
Music: Jimi Hendrix - Killing Floor (live at Monterey, 1967)
Music: Cream - Spoonful (live at the Fillmore, 1968)